Lorenzo Lotto
Italian
1480-1556
Lorenzo Lotto Galleries
In this last period of his life, Lorenzo Lotto would frequently move from town to town, searching for patrons and commissions. In 1532 he went to Treviso. Next he spent about seven years in the Marches (Ancona, Macerata en Jesi), returning to Venice in 1540. He moved again to Treviso in 1542 and back to Venice in 1545. Finally he went back to Ancona in 1549.
This was a productive period in his life, during which he painted several altarpieces and portraits :
Santa Lucia before the Judge, 1532, Jesi, Pinacoteca comunale
The Sleeping Child Jesus with the Madonna, St. Joseph and St. Catherine of Alexandria, 1533, Bergamo, Accademia Carrara
Portrait of a Lady as Lucretia, 1533, National Gallery, London.
Holy Family with SS Jerome, Anna and Joachim, 1534, Firenze, Uffizi
Holy Family, ca 1537, Paris, Louvre
Portrait of a Young Man, Firenze, Uffizi
Crucifixion, Monte San Giusto, Church of S Maria in Telusiano
Rosary Madonna, 1539, Cingoli, Church of San Nicolo
Portrait of a Man, 1541, Ottawa, National Gallery of Canada
Bust of a Bearded Man, 1541, ascribed, San Francisco, Fine Arts Museum
The Alms of Saint Anthony, 1542, Venezia, church SS Giovanni e Paolo
Madonna and four Saints, 1546, Venezia, Church of San Giacomo dell??Orio
Portrait of fra?? Gregorio Belo da Vicenza, 1548,New York, Metropolitan Museum
Assumption, 1550, Ancona, church San Francesco alle Scale
The Crossbowman, 1551, Rome, Pinacoteca Capitolina
Portrait of an Old man, ascribed, ca 1552, Saint Petersburg, Ermitage
Presentation in the Temple, 1555, Loreto, Palazzo Apostolico
A Venetian woman in the guise of Lucretia (1533).At the end of his life it was becoming increasingly difficult for him to earn a living. Furthermore, in 1550 one of his works had an unsuccessful auction in Ancona. As recorded in his personal account book, this deeply disillusioned him. As he had always been a deeply religious man, he entered in 1552 the Holy Sanctuary at Loreto, becoming a lay brother. During that time he decorated the basilica of S Maria and painted a Presentation in the Temple for the Palazzo Apostolico in Loreto. He died in 1556 and was buried, at his request, in a Dominican habit.
Giorgio Vasari included Lotto's biography in the third volume of his book Vite. Lorenzo Lotto himself left many letters and a detailed notebook (Libro di spese diverse, 1538-1556), giving a certain insight in his life and work. Among the many painters he influenced are likely Giovanni Busi Related Paintings of Lorenzo Lotto :. | Allegory | Portrait of a Man with a Felt Hat | St. Jerome in penitence | Portrait of Andrea Odoni | Madonna and Child with Saints | Related Artists: Charles Lock EastlakeEnglish Painter, 1793-1865
English painter, museum director, collector and writer. Fourth son of an Admiralty lawyer at Plymouth, he was educated at local grammar schools and then, briefly, at Charterhouse, Surrey. Determined to become a painter, he began work in 1809 as Benjamin Robert Haydon's first pupil and as a student at the Royal Academy Schools in London. In 1815 he exhibited for the first time at the British Institution, visited Paris and studied the pictures in the Musee Napoleon. He achieved his first conspicuous success with a scene from contemporary history that he had himself witnessed, Conrad Witz1400-1446 German
(Resident in Switzerland)
Conrad Witz Gallery
-6). German painter. One of the great innovators in northern European painting, he turned away from the lyricism of the preceding generation of German painters. His sturdy, monumental figures give a strong impression of their physical presence, gestures are dignified and the colours strong and simple. Even scenes with several figures are strangely undramatic and static. The surface appearance of materials, especially metals and stone, is intensely observed and recorded with an almost naive precision. Powerful cast shadows help to define the spatial relationships between objects. His fresh approach to the natural world reflects that of the Netherlandish painters: the Master of Fl?malle and the van Eycks. He need not, however, have trained in the Netherlands or in Burgundy as knowledge of their style could have been gained in Basle. He remained, however, untouched by the anecdotal quality present in their art, while Witz pure tempera technique differs emphatically from the refined use of oil glazes that endows Netherlandish pictures with their jewel-like brilliance. Johann Heinrich RoosGerman Baroque Era Painter, 1631-1685
was a German Baroque era painter and etcher. His works are presented in various art museums worldwide.
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